Ebook Free If Not Critical

Ebook Free If Not Critical

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If Not Critical

Ebook Free If Not Critical

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Review

"Mr Griffiths attracts superlatives. The Guardian once declared him the "cleverest man in England". Donald Davie, a poet and critic, called him the "rudest man in the kingdom". And for many of the pupils he taught over 30 years at Trinity College, Cambridge, he was the greatest teacher they ever had." -- The Economist

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About the Author

Eric Griffiths, Fellow in English, Trinity College, Cambridge; Lecturer in English, University of Cambridge UniversityEric Griffiths is Fellow in English at Trinity College, Cambridge and Lecturer in English at the University of Cambridge. He is the author of The Printed Voice of Victorian Poetry (Clarendon Press, 1989) and co-editor of Dante in English (Penguin, 2005).Freya Johnston is University Lecturer and Tutorial Fellow in English at St Anne's College, Oxford. She is the author of Samuel Johnson and the Art of Sinking, 1709-1791 (Oxford University Press, 2005), general editor of The Cambridge Edition of the Novels of Thomas Love Peacock (Cambridge University Press, 2016-) and co-editor of Jane Austen's Teenage Writings (Oxford World's Classics, 2017).

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Product details

Hardcover: 272 pages

Publisher: Oxford University Press (May 22, 2018)

Language: English

ISBN-10: 0198805292

ISBN-13: 978-0198805298

Product Dimensions:

8.6 x 0.9 x 5.7 inches

Shipping Weight: 15.5 ounces (View shipping rates and policies)

Average Customer Review:

3.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,110,011 in Books (See Top 100 in Books)

These selected lectures by Eric Griffiths -- Cambridge's famous "Wreckless Eric" -- are brilliant, funny, urgent and unpompous. (This last trait is very helpful socially -- for instance, anybody who says they prefer Helen Vendler or Harold Bloom should sit at another table.) Enjoy!

I love literature and literary criticism and looked forward to reading a renowned teacher's perspective. When I saw that his lectures, memorialized in this book, were on topics such as "lists" and "timing" I wondered how he would invest those topics with literary interest, or any interest. Aside from the random clever comparison, as a writer he is not amusing or insightful. I am glad I never had to sit through the lectures and am returning the book.

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